Sophie Muller is without a doubt one of the most talented women and cinematographer’s of our time, and by contemporary standards she will be immortalized in pop-history. With Band’s like the Eurythmics and No Doubt, Garbage, The Killers, Coldplay, Maroon 5, Kings of Leon, The Strokes, The Cure, Weezer, Blur, The Strokes, & The Dixie Chicks, and Muses like Music Goddesses Annie Lennox, Gwen Stefani, Shirley Manson, Sade, Pink, newcomers like Ellie Goulding or Music master’s like Dolly Parton, or Rock/Pop Gods Chris Martin, Adam Levine, Brandon Flowers, Indie-Brit-Pop Rufus Wainwright, or Moody music-maestro’ Robert Smith of the Cure, From Soul Queen Sade to Sophie Alicia Keys
Muller’s Career is long and impressive one so far with under 100 Video’s and counting, Sophie Muller debut as unique vision and has yet to lose steam.
After a meeting with John Stewart, Brother to Dave Stewart of the band the Eurythmics somewhere in 1982. Sophie Muller’s aesthetic is usually centered around the song’s true meaning, and the interpretation by the singer themselves.
Bjork’s Venus as Boy video was Inspired by her favorite story from her netherland childhood , focusing around a girl cooking eggs for boy she likes.
Sophie is different than most in the industry, returning again and again to the same artists or bands and reimagining their latest creations, while continuing a legacy, a documentation of bands expression and growth.
Sophie’s vision has almost a trance like quality that moves you through the lyrics and instruments, while perfectly editing the tracks into the visual motion on screen, every beat, kick and snare have twins in the movements on your eyes.
Sophie has an ability to show us a singers true personality, behind the lyrics, behind the Music:
In Videos like Mr. Brightside, for The Killers and She Will Be Loved,; Muller shows us a storytelling ability matched by few others, in under 5 minutes, In Mr. Brightside Brandon flowers struggles with love,
and her being owned by somebody else,
In She will Be Loved, Adam agonizes over his secret fling, his girlfriends mother, her own marital domestic abuse, seeing her get slapped, the mother seducing her daughters boyfriend Adam, only to see her affair holding his girlfriend- her daughter–
After their Debut Album,
Songs about Jane , Maroon 5 had Sophie Muller direct This Love, and in true Sophie Style, her colors and camera shots were just as provacative as the songs subject matter, :
Or in the video Song Number 2 for Blur, Sophie once again captures the mood of the song, the dim lights juxtaposed with slaying guitars,
So it is with no supprise that she would have channeled her creations through muse like Gwen Stefani who turn to her again and again with new projects,
Gwen being an artist who also puts herself into her work, pulling down her veil
and showing us her insecurities, flaws and vulnerabilities,
No Doubts Tragic Kingdom, and the featured Track, Don’t speak was a window into Gwens first heartache, Bassist Tony Kanal, to her laments about her career and married life in Underneath it all:
to her Solo Career and even 2014’s Push and Shove and Settle Down.
Sophie:Well I guess because people love working with me! [laughing] Oh I don’t know. I think I find it strange that someone wants to work with me again, and I really like it. I’m not the sort of person to go: ‘oh I’ve worked with them, I don’t want to work with them again’. I’m like: ‘Oh great’.
Gwen Stefani probably said it best: ‘She has the gift of being able to bring out the artist’s personality, emotion and style’. She is a true conduit – talent that encourages talent.” ( From http://www.promonews.tv/interviews/sophie-muller-talks-promo-i-still-love-what-i-do, By Luke Tierney)